Professor Alison Lewis, University of Melbourneĭr Nina Marković Khaze, Macquarie Universityĭanie Tregonning, Organisation Générale des Amateurs de l'Eurovision (OGAE) Australiaĭr Chris Hayis Senior Lecturer in Theatre History and ARC DECRA Fellow in the School of Communication and Arts at the University of Queensland. Professor Anika Gauja, University of Sydneyĭr Jamie Halliwell, Manchester Metropolitan UniversityĪssociate Professor Julie Kalman, Monash UniversityĪssociate Professor Celia Lam, University of Nottingham Ningbo, China The author of Understanding the Eurovision Song Contest in Multicultural Australia: We Got Love and co-editor of Eurovision & Australia: Interdisciplinary Perspectives from Down Under, Jess is a passionate advocate for bangers over ballads.ĭale Roberts and Mike Jones, Aussievision Venue: Zoom Webinar (please register to recieve the Webinar link and password).ĭr Jess Carniel is Senior Lecturer in Humanities in the School of Humanities and Communication at the University of Southern Queensland (USQ).
#STAFF OF THUNDER AND LIGHTNING PASSWORD#
To receive the Webinar link and password please register. On the eve of Eurovision 2021, we ask how will the experience of 2020 change Eurovision? This anticipated event brings together scholars and fans from around the world to share their experiences of the Eurovision Song Contest, their views on how it might now operate in a post-COVID world - and their predictions for the 2021 event. Its return in 2021 is hotly anticipated by fans around the world, but with travel restrictions and social distancing in place, the planned event is already looking vastly different to any that preceded it. In 2020, the Eurovision Song Contest was cancelled for the first time in its 65-year history in response to the global COVID-19 pandemic.
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